2014
The Greatest Day begins with a work of recovery : the photographs belong to the family album. To be more precise, they belong to the wedding album. The technique used is digital cut-out, a method of cutting and pasting from which quirky and original collages emerge. The existing scenes are transformed into unique illusions, where places and spaces are mixed. The young couple are removed from key moments of their wedding and re-contextualized in an atmospheric form. Bodies lose their materiality and become part of nature. What is obvious is restored, acquiring a different dimension. The decision to intervene directly on wedding photos seeks to explore the hidden aspects of the ceremony and desecrate its iconic representations.
