the greatest day

2014

The Greatest Day begins with a work of recovery : the photographs belong to the family album . To be more precise, photographs belong to the wedding album. The technique is the digital cut-out, cut and paste from which emerge quirky and original collages . The existing scenes become unique illusions, places and spaces are mixed. The young couple are removed from the key moments of their wedding to be re-contextualized it in the form of atmosphere. Bodies lose materiality to become nature. What is obvious is restored, acquires a different dimension. The decision to intervene directly on the photos of a wedding wants to investigate shrouded aspects of the wedding ceremony and desecrate representative icons of the ceremony.