2015

“Everything” began with the discovery of a mis-framed family photograph, an image in which the intended subject is cropped out but other unexpected details emerge. The work explores how photographic “mistakes” can reveal overlooked narratives, shifting the focus from what was meant to be captured to what unintentionally occupies center stage. Through this process, Everything challenges conventional framing, highlighting hidden stories and reaffirming that every fragment of an image has meaning.

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